Hidden unconscious, buried unconscious, implicit unconscious - Stefano Bolognini.

This paper was published in The Italian Psychoanalytic Annual issue 16, in 2022. The full text can be found on the publisher Raffaello Cortina's website:
https://riviste.raffaellocortina.it/scheda-articolo_digital/stefano-bolognini/hidden-unconscious-buried-unconscious-implicit-unconscious-Annual_2022_7-3814.html
 
The Italian Psychoanalytic Annual 2022/16 https://riviste.raffaellocortina.it/scheda-fascicolo_contenitore_digital/autori-vari/the-italian-psychoanalytic-annual-2022-16-9788832854947-3807.html 
 
The current extension of the concept of the Unconscious to different levels, configurations, and functioning of the mind is the result of decades of collective reflection on clinical work as well as on theory. Analysts today have a broader, more refined and complex knowledge of defensive and transformative processes, and this has also led to an evolution in technique. The paper we present today is a combination of psychoanalytic theory and technique through two clinical cases that present complex articulations of spurious unconscious functional areas and modalities, alternately the repressed and the not repressed.
Stefano Bolognini is a psychiatrist and training analyst of the Italian Psychoanalytic Society, of which he was Scientific Secretary and President. After serving as Representative on the first IPA Board, he became its President in 2013 and served in that role until 2017.He also founded the "IPA Encyclopedic Dictionary of Psychoanalysis" and is a member of the Advisory Board of the International Psychoanalytic University Berlin (IPU), Honorary Member of the New York Contemporary Freudian Society (NYCFS), and of the Los Angeles Institute and Society for Psychoanalytic Studies (LAISPS). Bolognini was a member of the Editorial Board of the International Journal of Psychoanalysis for 10 years, and has published over 250 psychoanalytic works, both books and papers.
This Podcast Series, published by the International Psychoanalytical Association, is part of the activities of the IPA Communication Committee and is produced by the IPA Podcast Editorial Team. Head of the Podcast Editorial Team: Gaetano Pellegrini.
 
Editing and Post-Production: Massimiliano Guerrieri.Proof Reading: Elizabeth Danze and Valentine Moscovici.

Ruggero Levy - “The polyphony of contemporary psychoanalysis: the multiple languages of man”.

The work proposes that the contemporary analyst can and should listen to the varied languages of man and, with a specific technical stance, help the patient, through intermediary moments, to think what was unthinkable, to name what was unnameable. It departs from listening to the language of the non-symbolic, which depends on the analyst’s capacity for reverie and their capacity to metaphorise the patient’s reports, to propose instead the construction of symbolic forms through the use of scaffolding for thinking. This is what permits the historicising, the placing of the patient’s life in a narrative. If this does not take place, there is an eternal presentification of the traumatic emotional experience, resulting in the “murder of time” (Green).
Ruggero Levy is a Psychoanalyst, Full Member and Training Analyst of the Psychoanalytic Society from Porto Alegre (SPPA), Brasil; Former President of SPPA; Chair of the IPA Working Parties Committee; Keynote paper/Major Lecture at the 50th IPAC in Buenos Aires, 2017; Ex-IPA Board Member from 2011-2013 and from 2013-2015; Professor and supervisor of the Federal University of Rio Grande do Sul in the Courses of Specialization on Children, Adolescent and Adult Psychotherapy; Author of many book chapters and scientific papers published in regional, national and international psychoanalytic reviews.
This episode is available also in Portuguese
Ruggero Levy (2019) The polyphony of contemporary psychoanalysis: the multiple languages of man, The International Journal of Psychoanalysis, 100:4, 656-673, DOI: 10.1080/00207578.2019.1636251
 
Pair of Transverse Flutes, mid-18th century, Johann Wilhelm Oberlender (the Elder) Courtesy Met Museum, New York.